Amy C, Museum Education Professional, WRITER , ACTIVIST, QUEER.

A portfolio and online journal by Amy C, Museum Education Professional. Sharing original poetry, articles, artwork, and reflections on museum education, social justice, and personal values including feminism, LGBT+ rights, anti-racism, and equality. With over three years in learning and engagement roles, I contribute to Birmingham Museums Trust by fostering meaningful, inclusive experiences that celebrate diverse histories. My expertise lies in audience development, team management, and delivering creative programs that inspire a love of learning, particularly in the domains of feminism and the ancient world. At Birmingham Museums Trust, I led the development of impactful events such as the annual 'International Women and Girls in Science Day,' emphasizing collaboration and community engagement. My mission is to create accessible opportunities for learning while empowering teams and contributing to organizational growth.

Overall Reception: Mixed to Positive

The production has been described as a “messy” but “entertainingly messy” raucous new take on Euripides’ Greek tragedy

[timeout] (https://www.timeout.com/london/theatre/bacchae-review) , marking the debut of new National Theatre director Indhu Rubasingham.

Key Strengths

Visual Spectacle: Critics praised it as a visually spectacular production with exciting sound and lighting, glittering, and grungy design [theartsdesk]  (https://theartsdesk.com/theatre/bacchae-national-theatre-review-cheeky-uneven-version-euripides-tragedy)

[Londontheatrereviews] (https://www.londontheatrereviews.co.uk/post.cfm?p=25600)

Performances: James McArdle received particular acclaim for his performance as Pentheus, with one reviewer noting he’s “an actor so absurdly good that he feels like he’s doing everyone a favour by being there” [timeout](https://www.timeout.com/london/theatre/bacchae-review) . Clare Perkins was praised for holding the Olivier stage with “loud-mouthed swagger”

[theartsdesk](https://theartsdesk.com/theatre/bacchae-national-theatre-review-cheeky-uneven-version-euripides-tragedy)

Bold Programming: The production demonstrates Rubasingham’s commitment to bold programming [The Stage](https://www.thestage.co.uk/reviews/bacchae-review-olivier-theatre-national-theatre-london-indhu-rubasingham) , being the first debut playwright’s work on the Olivier stage.

Main Criticisms

Lack of Focus: Multiple reviews noted a “nagging sense that it’s not clear where the story is going” and questioned the coherence of the narrative [timeout](https://www.timeout.com/london/theatre/bacchae-review)

Tonal Issues: Some critics felt it “imploded into hashtag politics” and committed “the deadliest artistic sin of all: cringe” [Broadway World](https://www.broadwayworld.com/westend/article/Review-BACCHAE-National-Theatre-20250925) . The production was criticized for its “swings and misses,” including underdeveloped attempts at topicality around migration themes [timeout](https://www.timeout.com/london/theatre/bacchae-review)

Structure Problems: The Bacchae women’s scenes, while entertaining, felt “relatively extraneous” compared to the scenes between the two male leads [timeout] (https://www.timeout.com/london/theatre/bacchae-review)

Verdict

Most reviewers saw it as a fun, rap-infused adaptation that serves as an acceptable if imperfect opening for Rubasingham’s tenure [Time Out] (https://www.timeout.com/london/theatre/bacchae-review) , with some noting it’s “certainly worth a watch” [Londontheatrereviews](https://www.londontheatrereviews.co.uk/post.cfm?p=25600) for its ambition and visual flair, even if the execution is uneven.

Citations:
– [Bacchae, National Theatre Olivier review: raucous new riff on the Greek tragedy](https://www.timeout.com/london/theatre/bacchae-review)
– [Bacchae, National Theatre review – cheeky, uneven version of Euripides’ tragedy | The Arts Desk](https://theartsdesk.com/theatre/bacchae-national-theatre-review-cheeky-uneven-version-euripides-tragedy)
– [Bacchae – Review – National Theatre](https://www.londontheatrereviews.co.uk/post.cfm?p=25600)
– [Bacchae review at Olivier Theatre, National Theatre, London: Unfocused debut](https://www.thestage.co.uk/reviews/bacchae-review-olivier-theatre-national-theatre-london-indhu-rubasingham)
– [Review: BACCHAE, National Theatre](https://www.broadwayworld.com/westend/article/Review-BACCHAE-National-Theatre-20250925)

More sources:
– [Bacchae reviews at the National Theatre – Starring James McArdle, Clare Perkins, Ukweli Roach & Sharon Small | West End Theatre](https://www.westendtheatre.com/313871/news/reviews/bacchae-reviews-round-up-at-the-national-theatre-starring-james-mcardle-clare-perkins-ukweli-roach-sharon-small/)
– [Review Round Up: Bacchae, National Theatre – Love London Love Culture](https://lovelondonloveculture.com/2025/09/25/review-round-up-bacchae-national-theatre/)
– [Bacchae at the National Theatre – review](https://www.whatsonstage.com/news/bacchae-at-the-national-theatre-review_1695929/)
– [Bacchae | National Theatre](https://www.nationaltheatre.org.uk/productions/bacchae/)
– [‘Bacchae’ review – Fun and flashy, if flawed, spin on …](https://liamodell.com/2025/09/29/bacchae-review-national-theatre-london-nima-taleghani-heartstopper-indhu-rubasingham-sharon-small-clare-perkins-james-mcardle-pronunciation/)


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